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Three stories by a French master
First published in 1877, these three stories are dominated by questions of doubt, love, loneliness, and religious experience—together they confirm Flaubert as a master of the short story. “A Simple Heart” relates the story of Félicité, an uneducated serving-woman who retains her Catholic faith despite a life of desolation and loss. “The Legend of Saint Julian Hospitator,” inspired by a stained-glass window in Rouen cathedral, describes the fate of a sadistic hunter destined to murder his own parents. The blend of faith and cruelty that dominates this story may also be found in “Herodias,” a reworking of the tale of Salome and John the Baptist.
This new edition is a completely new translation with a new introduction by Geoffrey Wall, Flaubert's acclaimed biographer. It features a chronology, further reading, and explanantory notes.
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
- Sales Rank: #139192 in Books
- Brand: Flaubert, Gustavo/ Wall, Geoffrey/ Whitehouse, Roger
- Published on: 2005-08-30
- Released on: 2005-08-30
- Original language: French
- Number of items: 1
- Dimensions: 7.80" h x .30" w x 5.00" l, .25 pounds
- Binding: Paperback
- 144 pages
Review
"A. J. Krailsheimer's new translation adheres more faithfully to Flaubert's idiosyncratic sentence structures...authentically captures the original's elliptical nature, with its ghostly authorial voice." --Sunday Telegraph
"Intensely brilliant prose from the acclaimed author of Madame Bovary. These classic tales reflect Flaubert`s talent as a witty narrator and in particular A Simple Heart presents a wonderfully evocative portrait of 19th Century France." --Wales on Sunday
From the Back Cover
Flaubert's Three Tales offer an excellent introduction to the work of one of the world's greatest novelists.
About the Author
Gustave Flaubert was born in Rouen in 1821, the son of a prominent physician. A solitary child, he was attracted to literature at an early age, and after his recovery from a nervous breakdown suffered while a law student, he turned his total energies to writing. Aside from journeys to the Near East, Greece, Italy, and North Africa, and a stormy liaison with the poetess Louise Colet, his life was dedicated to the practice of his art. The form of his work was marked by intense aesthetic scrupulousness and passionate pursuit of le mot juste; its content alternately reflected scorn for French bourgeois society and a romantic taste for exotic historical subject matter. The success of Madame Bovary (1857) was ensured by government prosecution for “immorality”; Salammbô (1862) and The Sentimental Education (1869) received a cool public reception; not until the publication of Three Tales (1877) was his genius popularly acknowledged. Among fellow writers, however, his reputation was supreme. His circle of friends included Turgenev and the Goncourt brothers, while the young Guy de Maupassant underwent an arduous literary apprenticeship under his direction. Increasing personal isolation and financial insecurity troubled his last years. His final bitterness and disillusion were vividly evidenced in the savagely satiric Bouvard and Pécuchet, left unfinished at his death in 1880.
Roger Whitehouse has taught at the Sorbonne and at Bolton Institute, where he is a research fellow.
Geoffrey Wall is author of the critically acclaimed Flaubert: A Life and translated Madame Bovary for Penguin Classics.
Most helpful customer reviews
6 of 6 people found the following review helpful.
A wonderful collection of stories by Flaubert
By Russ Mayes
Flaubert's collection of "Three Tales" brings together a wonderful set of short stories. Working from contemporary to ancient and in various modes of realism, Flaubert delves into the spiritual depths of his characters. The first story, "A Simple Heart" is the best of the group. In this story, Flaubert tells the story Felicite, a loyal servant to an uninteresting patron. Flaubert quickly covers her whole life, from her difficult childhood and through her many attachments to her death. Felicite is a woman who feels love deeply, but Flaubert's presentation is very detached and never maudlin. The last great love of Felicite's life is a parrot (which also inspired Julian Barnes' "Flaubert's Parrot") who comes to symbolize the holy spirit for her. It would have been easy for Flaubert to portray Felicite's simplicity as an object of scorn or irony, but he treats her faithfully and never passes judgment on her actions or thoughts. Her story is beautifully told and stands up well to any short story I know.
The second tale, "The Legend of Saint Julian the Hospitaller," is a retelling of the legendary Saint's life. Flaubert is in a completely different mode here; he is comfortable in the quick and magical progression typical of medieval tales. Flaubert's eye for detail makes some of the scenes more horrific and as such more effective. In particular, the scenes of carnage while hunting and the scene with the leper are particularly well drawn.
The final tale, "Herodias," is a retelling of the story of John the Baptist's execution. Here, Flaubert delves into the emotions of religious fervor and political intrigue. He focuses not on Herodias or John, but on Herod. He portrays Herod as caught between competing forces: Rome and the tribes outside his kingdom; his wife and the proconsul; pharisees, essenes, and the fledgling movement spawned by Jesus. All of these competing voices make the story a bit disjointed at times, but once again Flaubert's realism lends a detached feel to the entire story.
Margaret Drabble's introduction to the volume is useful in how she ties the "Three Tales" into Flaubert's career and surroundings. The cathedral at Rouen, for example, has a series of stained glass windows depicting Saint Julian's story, and it also has a statue of the beheading of John the Baptist. Such details help bring the stories into greater clarity, though I recommend reading the introduction last if you have never read the stories, so as to be able to come to the stories fresh.
6 of 6 people found the following review helpful.
An Introduction to Flaubert
By Christopher Nelson
Three tales: One "modern" short-story, one medieval legend, and one historical sketch. Three diverse tales, all colorful and engaging. Reading these tales makes one wish Flaubert had written more. Other reviewers have described each story in more detail so I'll keep my descriptions brief. Beginning with "A Simple Heart", the story of a lonely servant-girl named Felicite who devotes her life to helping a single mother raise her children in a small Normandy village; moving back in time to the medieval era and a capitvating re-telling the legend of "St. Julian Hospitator" who devotes himself to God after being haunted by the thousands of animals he'd hunted and killed as a brash, arrogant youth; far back to the time of Christ, when "Herodias", King Herod's head-strong wife, instigates the beheading of John the Baptist, unintentionally paving the way for Jesus Christ himself; Flaubert has created three "religious" tales that plainly and simply illustrate the status of Christianity at different times, in different places. Some readers of Flaubert find undertones of sarcasm in these tales (more prevelant in "Sentimental Education" for sure), but I really believe he's attempting to be as non-judgmental as possible, simply telling it the way it is; or was. It seems to me that Flaubert's intention with these stories (especially "A Simple Heart" which to me has the most character depth & uniqueness of the three) is to not only showcase his literary skills, but to challenge himself to write about three seemingly unconnected eras and linking them by a common thread. Flaubert's descriptions and details are always of the highest caliber (although sometimes tiresome if one's not used to his style) but ultimately, each tale stands on its own, making "Three Tales" an excellent introduction to one of the most influential, and talented writers of all time.
3 of 3 people found the following review helpful.
Biblical References
By Cynthia
I was surprised at the number of biblical references in these stories though I probably shouldn't have been given Flaubert's time and place. He lived in a Catholic country during a religious era. I've read lots of contemporaneous Victorian fiction and though the Brits throw in many bible tie Flaubert out does them. In `A Simple Heart' Felicite is goodness incarnate seeking only to love without seeming to need anything more than an other for which to care. She'll even settle for inanimate objects as long as they evoke someone or something. `St. Julien' was harder for me to enjoy. Apparently in order for him to become a saint he had to first be very, very bad. After enough blood is splashed about he realizes how wrong he's been and becomes good through loving someone `despicable'. My favorite story of the three was `Herodias'. The Middle East of John the Baptist and his nemesis Salome's time was just as tumultuous as today. The story felt immediate and alive.
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