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Minggu, 27 Juni 2010

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Sales Rank: #6341138 in Books
Published on: 1977-02
Original language: English
Number of items: 1
Binding: Hardcover
454 pages

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Kamis, 24 Juni 2010

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Teach Your Students How to Use Computing to Explore Powerful and Creative Ideas

In the twenty-first century, computers have become indispensable in music making, distribution, performance, and consumption. Making Music with Computers: Creative Programming in Python introduces important concepts and skills necessary to generate music with computers. It interweaves computing pedagogy with musical concepts and creative activities, showing students how to integrate the creativity and design of the arts with the mathematical rigor and formality of computer science.

The book provides an introduction to creative software development in the Python programming language. It uses innovative music-creation activities to illustrate introductory computer programming concepts, including data types, algorithms, operators, iteration, lists, functions, and classes. The authors also cover GUIs, event-driven programming, big data, sonification, MIDI programming, client–server programming, recursion, fractals, and complex system dynamics.

Requiring minimal musical or programming experience, the text is designed for courses in introductory computer science and computing in the arts. It helps students learn computer programming in a creative context and understand how to build computer music applications. Also suitable for self-study, the book shows musicians and digital music enthusiasts how to write music software and create algorithmic music compositions.

Web Resource
A supplementary website (http://jythonMusic.org) provides a music library and other software resources used in the text. The music library is an extension of the jMusic library and incorporates other cross-platform programming tools. The website also offers example course and associated media resources.

Sales Rank: #821460 in Books
Published on: 2014-05-19
Original language: English
Number of items: 1
Dimensions: 9.00" h x 1.10" w x 6.00" l, .0 pounds
Binding: Paperback
502 pages

Review

"Bill Manaris and Andrew Brown have created this marvelous book that will engage and inspire you to learn more about the science and art of creating music through computation. … Bill and Andrew offer an accessible path into a wonderful world that is both as modern as your new laptop and as ancient as Plato. In that world of music and mathematics, they construct a sandbox of computational tools. They encourage you to create, compose music, and play with patterns and data."
―From the Foreword by Mark Guzdial, Georgia Institute of Technology

"Making Music with Computers by Bill Manaris and Andrew Brown is a perfect accompaniment to programming music with the computer language Python. Written clearly, succinctly, and including many appropriate diagrams, this book is a must for anyone desiring to create their own applications for composing and making music. First rate in every way."
―David Cope, Computer Composition Pioneer and Professor Emeritus, Music Department, University of California, Santa Cruz

"This is an impressive text. Its material is accessible to a reader who may know little to nothing about either music or computing/programming. The text has the characteristics of an agile, graceful delivery, quite a breadth of topics, and numerous apt, helpful, and often imaginative example programs.
Early chapters clearly and economically explain the elements of music, its terminology and notation, and the elements of compositional structure (notes, phrases, parts, and scores). Evidence of the musical reach of the book is given by the authors’ précis to the middle chapter: ‘Randomness and creativity, indeterminism, serialism, stochastic music, and ... generative music.’ Eventually they exemplify such topics as sonification, as put to the purpose of giving an alternative representation of a large data set, also interactive music generation, and the creation of musical compositions as inspired by natural phenomena such as the flocking behavior of birds, or inspired by mathematics, such as fractals.
The authors use the programming language Jython with a focus on music; they provide the software libraries to do this via downloads. The explication of Jython is effortless, even breezy, also unfussy, but with a thoroughness that positions the reader well to start wedding the computer to one’s musical interests. By the end of the text the authors have discussed the use of functions, software design principles, recursion, GUIs and event-driven programming, and the defining of classes.
Special mention should be given to the book’s examples. There are numerous, tidy, complete, and working Jython programs throughout the text, which the reader can duplicate and run. They serve both as exemplars of Jython programming, which the reader can learn from and emulate as well as be inspirations for composing one’s own computer-generated music."
―William A. Greene, Professor Emeritus, Computer Science Department, University of New Orleans

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2 of 8 people found the following review helpful.
If you want to actually read this, get the paper version!
By Scott Gleim
This review is for the (Very Poorly Formatted) Kindle version. NOT RECOMMENDED!
Although the content of the book seems great, te Kindle version is no better than a scanned PDF.

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Sabtu, 19 Juni 2010

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Kamis, 17 Juni 2010

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The Grand Prix attack arises after 1 e4 c5 f4 or 1 e4 c5 Nc3 with 3 f4, and has become a feared system on the weekend tournament circuit. White often obtains a crushing kingside attack and the variation has led to many quick victories. One added advantage of the opening is that the strategic ideas tend to be very straightforward and regular practitioners will understand the methods of conducting the attack. This book offers advice for the adherent of the Sicilian defence and the authors demonstrate many possible equalizing lines for Black together with some interesting untried suggestions. The combination of Julian Hodgson, an English International Master, and Lawrence Day, a Canadian International Master, draws upon theory and practice on both sides of the Atlantic. The foreword is by Leonard Barden.

Sales Rank: #3006464 in Books
Published on: 1985-06
Original language: English
Number of items: 1
Binding: Paperback
89 pages

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The Firstborn–the mysterious race of aliens who first became known to science fiction fans as the builders of the iconic black monolith in 2001: A Space Odyssey–have inhabited legendary master of science fiction Sir Arthur C. Clarke’s writing for decades. With Time’s Eye and Sunstorm, the first two books in their acclaimed Time Odyssey series, Clarke and his brilliant co-author Stephen Baxter imagined a near-future in which the Firstborn seek to stop the advance of human civilization by employing a technology indistinguishable from magic.

Their first act was the Discontinuity, in which Earth was carved into sections from different eras of history, restitched into a patchwork world, and renamed Mir. Mir’s inhabitants included such notables as Alexander the Great, Genghis Khan, and United Nations peacekeeper Bisesa Dutt. For reasons unknown to her, Bisesa entered into communication with an alien artifact of inscrutable purpose and godlike power–a power that eventually returned her to Earth. There, she played an instrumental role in humanity’s race against time to stop a doomsday event: a massive solar storm triggered by the alien Firstborn designed to eradicate all life from the planet. That fate was averted at an inconceivable price. Now, twenty-seven years later, the Firstborn are back.

This time, they are pulling no punches: They have sent a “quantum bomb.” Speeding toward Earth, it is a device that human scientists can barely comprehend, that cannot be stopped or destroyed–and one that will obliterate Earth.

Bisesa’s desperate quest for answers sends her first to Mars and then to Mir, which is itself threatened with extinction. The end seems inevitable. But as shocking new insights emerge into the nature of the Firstborn and their chilling plans for mankind, an unexpected ally appears from light-years away.

From the Hardcover edition.

Sales Rank: #400117 in Books
Brand: Clarke, Arthur C./ Baxter, Stephen
Published on: 2008-10-28
Released on: 2008-10-28
Original language: English
Number of items: 1
Dimensions: 6.90" h x .90" w x 4.20" l, .45 pounds
Binding: Mass Market Paperback
416 pages

From Publishers Weekly
Though supposedly the last volume of Clarke and Baxter's Time Odyssey series (after 2005's Sunstorm), this intriguing and frustrating installment of the high-octane space opera ends with an astounding cliffhanger just as humans have begun to confront the ancient and super-powerful Firstborn, who attack any species that might become a rival. Having barely survived a Firstborn-created solar flare, Earth now must cope with a meteor bomb approaching from deep space. Tensions rise between secretive, paranoid forces on Earth and equally suspicious groups among the Spacers, whose identification with humanity's home is waning. Meanwhile, in a pocket universe created by the Firstborn for some inscrutable purpose, slices from different Terran eons nervously adjust to each other. The narrative leaps about too much to develop characters, but Clarke has never been as interested in individuals as in humanity's ability to accept change as a species. It's too early to tell whether that theme will be enough to carry the story to a coherent conclusion. (Dec.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
Praise for Arthur C. Clarke and Stephen Baxter

Sunstorm

“Clarke and Baxter have mastered the art of saving the world in blockbuster style.”
–Entertainment Weekly

“An absolute must for science fiction fans.”
–All Things Considered

“Sure to blow your mind.”
–BookMarks

Time’s Eye

“Wonderfully entertaining . . . a story that engrosses you with its dramatized ideas about the nature of existence.”
–Chicago Tribune

“A rousing adventure.”
–The New York Times Book Review

“A fast and engaging read.”
–Rocky Mountain News

From the Hardcover edition.

About the Author
Arthur C. Clarke is considered the greatest science fiction writer of all time and is an international treasure in many other ways, including the fact that a 1945 article by him led to the invention of satellite technology. Books by Clarke–both fiction and nonfiction–have sold more than one hundred million copies worldwide. Mr. Clarke passed away March 19th, 2008.

From the Hardcover edition.

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0 of 0 people found the following review helpful.
Four Stars
By Pamela Marshall
Not what I expected.

0 of 0 people found the following review helpful.
Four Stars
By Kenneth Minjire Kingori
Good read

40 of 44 people found the following review helpful.
Firstborn is far from Arthur C. Clarke's best; but still worthwhile
By Amazon Customer
Firstborn is the concluding volume in Sir Arthur C. Clarke and Stephen Baxter's Time Odyssey trilogy. The preceding two books in this science-fiction series are Time's Eye (2003) and Sunstorm (2005). Each prior novel was vivid, innovative, and compelling. I cannot say the same thing about Firstborn. The final installment is a disappointing capstone.

Without spoiling the story, Firstborn leaves us with as many questions as it answers. It lacks finality. Readers are left wanting more. Yet there is nothing more for Clarke and Baxter to give, after they seem to write themselves into a corner.

The concluding chapters of the book are increasingly ambiguous. Clarke and Baxter seem distracted by their own storyline. It becomes ever more complex as Firstborn unravels. As the end nears, Firstborn becomes tenuous and unconvincing.

This is in contrast to most of Clarke's writing over the past 60 years. I credit Clarke and author Robert Heinlein (1907-1988) as being the best at weaving science, engineering, physics, and futurism into their works of science fiction. Unfortunately, in Firstborn, the concepts Baxter and Clarke select - particularly the theoretical physics they invoke - are simply unrealistic. To the extent that any of it is credible, the writers fail to properly explain core principals. Unlike Clarke and Baxter's former works, the technology in Firstborn does not buttress the narrative. It detracts from it.

I concede that there is lengthy discussion in the book of space elevators and anti-matter rocket motors. As to the first, it is a rehash of a concept Clarke wrote about 25 years ago in The Fountains of Paradise (1979). As to the second - anti-matter rockets - the discussion of this technology is pedestrian and under-developed. Clarke and Baxter seem to know as much/little about it as some sophisticated readers know. It makes the technological application and discussion in Firstborn seem far-fetched and contrived.

Character development in Firstborn is also disappointing. There are several strong female characters. We met some of them before in Sunstorm and Time's Eye. In Firstborn, however, they are not easy to warm up to. Their demeanors, amid massive catastrophes and suffering, are measured and stiff. Certain male protagonists exhibit the opposite problem: they are caricatures and impossible to identify with. Many lesser characters are unmemorable. This is despite excellent creative opportunities which could have been leveraged in the "Mir" universe.

The writing in Firstborn simply does not compare with Clarke's past work. In other books he easily and vividly communicated joy, pain, courage, and suffering. He was at his best, for example, in Songs of Distant Earth (1986) and Childhood's End (1953), which better explore love, friendship, family and a range of human emotions in the context of a space-faring society. Firstborn falls far short of his own standards.

Please do not let this review dissuade you from reading other Arthur C. Clarke novels. He is one of my favorite writers of all time. It is in fact difficult for me to write this less-than-favorable review of Firstborn. Clarke ties Heinlein in my mind for being the best science fiction writer in history. Significantly, Clarke's vision, including early work on geostationary satellites, transcends science fiction. He is legitimately celebrated for contributions to "science fact."

It is therefore not my opinion that Firstborn is a poorly-written book; it is only lacking when compared to Clarke (and Baxter's) prior works.

J. Christopher Robbins
Aviation & Space Law Department
Robbins Equitas, P.A.

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Sales Rank: #8809674 in Books
Published on: 1980
Binding: Unknown Binding
35 pages

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For MBA/graduate students taking a course in corporate finance.

An Emphasis on Core Financial Principles to Elevate Individuals’ Financial Decision Making

Berk and DeMarzo's Corporate Finance uses a unifying valuation framework, the Law Of One Price, to present the core content instructors expect, the new ideas they want, and the pedagogy their students need to succeed.

Corporate Finance: The Core fits programs and individual professors who desire a streamlined book that is specifically tailored to the topics covered in the first one-semester course. For programs and professors who would like to use a text in a two semester, or more, sequence, please see Corporate Finance, the 31-chapter book also by Jonathan Berk and Peter DeMarzo.

Also Available with MyFinanceLab™

MyFinanceLab is an online homework, tutorial, and assessment program designed to work with this text to engage students and improve results. Within its structured environment, students practice what they learn, test their understanding, and pursue a personalized study plan that helps them better absorb course material and understand difficult concepts.

Note: You are purchasing a standalone product; MyFinanceLab does not come packaged with this content. Students, if interested in purchasing this title with MyFinanceLab, ask your instructor for the correct package ISBN and Course ID. Instructors, contact your Pearson representative for more information.

If you would like to purchase both the physical text and MyFinanceLab, search for:

0134409272 / 9780134409276 Corporate Finance: The Core Plus MyFinanceLab with Pearson eText -- Access Card Package

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Sales Rank: #817169 in Books
Published on: 2016-07-30
Original language: English
Dimensions: 10.10" h x 1.00" w x 8.00" l, .0 pounds
Binding: Hardcover
800 pages

About the Author

Jonathan Berk is the A.P. Giannini Professor of Finance at the Graduate School of Business, Stanford University and is a Research Associate at the National Bureau of Economic Research. Before coming to Stanford, he was the Sylvan Coleman Professor of Finance at Haas School of Business at the University of California, Berkeley. Prior to earning his PhD, he worked as an Associate at Goldman Sachs (where his education in finance really began).

Professor Berk’s research interests in finance include corporate valuation, capital structure, mutual funds, asset pricing, experimental economics, and labor economics. His work has won a number of research awards including the TIAA-CREF Paul A. Samuelson Award, the Smith Breeden Prize, Best Paper of the Year in The Review of Financial Studies, and the FAME Research Prize. His paper, “A Critique of Size-Related Anomalies,” was selected as one of the two best papers ever published in The Review of Financial Studies. In recognition of his influence on the practice of finance he has received the Bernstein-Fabozzi/Jacobs Levy Award, the Graham and Dodd Award of Excellence, and the Roger F. Murray Prize.

He served as Associate Editor of the Journal of Finance, Director of the Western Finance Association, Academic Director of the Financial Management Association, is a Fellow of the Financial Management Association, and is a member of the advisory board of the Journal of Portfolio Management.

Born in Johannesburg, South Africa, Professor Berk is married, with two daughters, and is an avid skier and biker.

Peter DeMarzo is the Mizuho Financial Group Professor of Finance and current Vice President of the American Finance Association. He is also a Research Associate at the National Bureau of Economic Research. He currently teaches MBA and Ph.D. courses in Corporate Finance and Financial Modeling. In addition to his experience at the Stanford Graduate School of Business, Professor DeMarzo has taught at the Haas School of Business and the Kellogg Graduate School of Management, and he was a National Fellow at the Hoover Institution.

Professor DeMarzo received the Sloan Teaching Excellence Award at Stanford, and the Earl F. Cheit Outstanding Teaching Award at U.C. Berkeley.

Professor DeMarzo has served as an Associate Editor for The Review of Financial Studies, Financial Management, and the B.E. Journals in Economic Analysis and Policy, as well as a Director of the American Finance Association. He has served as Vice President and President of the Western Finance Association. Professor DeMarzo’s research is in the area of corporate finance, asset securitization, and contracting, as well as market structure and regulation. His recent work has examined issues of the optimal design of contracts and securities, and the influence of information asymmetries on stock prices and corporate investment. He has received numerous awards including the Western Finance Association Corporate Finance Award and the Barclays Global Investors/Michael Brennan best-paper award from The Review of Financial Studies.

Professor DeMarzo was born in Whitestone, New York, and is married with three boys.

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